Lecture on Consolation and the Culture of Protestantism in Early Modern England

On Wednesday, October 19th at 17:00, dr. Jan Frans van Dijkhuizen (University of Leiden) will present new research in his talk ‘”Never Better”: Consolation and the Culture of Protestantism in Early Modern England’.

The talk will take place at the University of Amsterdam, in P.C. Hoofthuis room 1.05, Spuistraat 134, Amsterdam.

“Never Better”: Consolation and the Culture of Protestantism in Early Modern England
In this talk I will look at the crucial role of consolation in the culture of early modern English Protestantism. Protestants were preoccupied by the idea of consolation, and felt that the true Christian community is defined by the ways in which it understands and practices consolation. This interest in consolation was occasioned in part by the importance of persecution and martyrdom for early modern notions of Protestant identity, yet the dominance of consolation in early modern Protestant culture extended beyond this. Members of the Protestant clergy were interested in suffering more broadly, and undertook a massive effort – in a diverse genre best labeled ‘religious consolation literature’ – to instruct their flock in the meanings of suffering, and to shape their responses to affliction.

I will map some of the dominant tropes in this literature, showing that consolation was always a deeply politically fraught concept. Throughout the early modern era, this political dimension of Protestant consolation remained a potential to be activated by various Protestant factions alike, from ardent conformists to radical Puritans. I will also examine how consolation literature was put to use by early modern Protestant individuals. By turning to the notebooks of the London wood turner Nehemiah Wallington (1598–1658), I will show that consolation could be a frustratingly open-ended, potentially endless enterprise. While consolation is a central strand in Wallington, it never seems to attain its goal; it never enables Wallington to confer definitive meaning on his suffering.

About

Jan Frans van Dijkhuizen teaches English Literature at the University of Leiden. He is the author of Pain and Compassion in Early Modern English Literature and Culture (Cambridge: D. S. Brewer, 2012) and Devil Theatre: Demonic Possession and Exorcism in English Renaissance Drama, 1558–1642 (Cambridge: D. S. Brewer, 2007), and has co- edited The Sense of Suffering: Constructions of Physical Pain in Early Modern Culture (Leiden: Brill, 2009) and The Reformation Unsettled: British Literature and the Question of Religious Identity, 1560–1660 (Turnhout: Brepols, 2008). He is currently preparing a third monograph, entitled A Literary History of Reconciliation: Remorse and the Limits of Forgiveness, which is under contract for 2018 with Bloomsbury Academic. He spent most of the spring and summer of this year as a Short-Term Research Fellow at the Folger Shakespeare Library, where he worked on the role of consolation in the culture of early modern English Protestantism. He is hoping to write a book on this topic in the not too distant future.

Lecture and Workshop Michael Schoenfeld

The Leiden University Centre for the Arts in Society (Lucas)

presents a guest lecture by

Michael Schoenfeldt

John Knott Professor of English, University of Michigan

on

Lessons from the Body:

Disability, Deformity, and Disease in Shakespeare

Wednesday 6 April, 16.15, Vossius Room, Leiden University Library

All welcome!

lear

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Workshop: Emotion and Subjectivity

Emotion and Subjectivity, 1300-1900
Workshop at NIAS (Netherlands Institute for Advanced Study) September 29-30, 2014

crying womanThe workshop brings together scholars from the Netherlands, Germany and the UK, who are working on various historical and literary approaches to the study of emotions. During two days in Wassenaar, participants will explore the ways in which emotions have been placed in dialogue with sociocultural values and political discourse throughout the period 1300-1900. The workshop primarily engages with emotion in a European context and so will raise questions about national stereotypes and emotions, as well as the possibility of characterizing a ‘European’ selfhood.

In their papers, participating scholars explore emotional rhetoric in a range of texts, such as medical and scientific tracts, visual art, music, theatre, literature, historiography, and war reporting. Individual topics range from medieval medicine to midwifery manuals of the eighteenth-century to the emotional appeal of opera in the nineteenth century. All workshop participants are invested in understanding the historical development both of emotions and the subject, concerns which continue to impact and shape European culture, literature, and art as we know it today.

The workshop is organized as part of the Emotion and Subjectivity Research Group, based at the University of Amsterdam. For more information or to register, please contact the workshop organizers, Dr. Kristine Johanson (K.A.Johanson@uva.nl) and Dr. Tara MacDonald (T.C.MacDonald@uva.nl).

ACCESS lecture on the history of smell

Holly Dugan, The George Washington University

‘Seeing Smell: Renaissance Pomanders and the History of Perfume’

ACCESS and Graduate School for Humanities, VU University Amsterdam

Friday 28 February, 15.30-17.00hrs, drinks after

VU University, Main Building, Boelelaan 1105, Amsterdam (room 1 E – 24)

Please register below if you would like to attend.

ACCESS is pleased to invite you to a lecture on a synaesthetic approach to sensory history. Holly Dugan will talk about her research into early modern English pomanders and the smell of old books on Friday 28 February.

Come smell the historical odours of pomander and ambergris, with a brief introduction to her collection of historical odours by Rijksmuseum curator and olfactory art historian Caro Verbeek.

In this paper Holly Dugan explores the decorative qualities of early modern English pomanders in order to examine the relationship between early modern perfume and the objects designed to dispense them. Perfume was an important plague preventative in early modern England: because the plague was believed to be an airborne disease—and because outbreaks of plague in England were episodic, sporadic, and uneven—early modern English men and women often carried small, portable perfume dispensers known as pomanders to protect the nose from surprise engagements with foul air. The term itself—pomander—evolved across the fourteenth, fifteenth, and sixteenth centuries from a description of a small ball of aromatic paste to an elaborate metal container designed to hold such pastes and resins. By the sixteenth century, pomanders were so powerful that they were often invoked metaphorically as a spiritual defense.

pomander

In this lecture, Holly Dugan grapples with the synaesthetic paradox of pomanders: visibly small yet powerfully odoriferous, pomanders vex traditional scholarly methods towards material culture. These small, ornate objects were elaborately decorated and exist in a range of forms, including globes, skills, snails, cathedrals, and ships; very few are engraved with the scent ingredients they dispensed.  By examining the complicated relationship between the olfactory aspects of these objects and their decorative materiality, she argues for the usefulness of a synaesthetic approach to understanding of sensory history.

hollyduganHolly Dugan is Associate Professor of English at The George Washington University. Her research and teaching interests explore relationships between history, literature, and material culture. Her scholarship focuses on questions of gender, sexuality, and the boundaries of the body in late medieval and early modern England. In 2011 she published The Ephemeral History of Perfume: Scent and Sense in Early Modern England (Baltimore, MD: The Johns Hopkins University Press).

 

Directions

The lecture is held in room 1E-24 (PKU-room at PThU). The PTHU is located on the first floor of the main building of te VU-university. Please use the main entrance and turn left past the bookshop to take the stairs to the first floor. The E-Wing is past the yellow elevators. Unfortunately, these elevators do not stop on the first floor. If you have any problems in finding the room or are physically unable to use the stairs, please ask the receptionist for help.

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Battlefield Emotions 1550-1850: International workshop

Battlefield Emotions 1550-1850, an international workshop 
13-15 February, Ghent University, Belgium
http://www.battlefieldemotions.ugent.be

In modern Europe we are daily confronted with images of ‘our’ soldiers in action in faraway warzones such as Iraq and Afghanistan. Modern media explicitly pay attention to not only the problems of desperate relatives at the home front, but also the intimate feelings like fear and dejection of the military subject itself. The ‘emotional soldier’ however is a very complex figure, since military discipline does not allow for emotions to be displayed as openly as they are in civil society today. Representations of ‘battlefield emotions’ in the past open up the long history of this complex relation between two overlapping yet different emotional cultures: the military and the civic public sphere. Moreover, it will contribute to the current debate in the humanities concerning the historical and cultural origins of modern emotions.

We call ‘battlefield emotions’ the emotions of the individual in the face of violence and death as they are expressed and represented in text and image, songs and gestures, rituals and objects. ‘Battlefield emotions’ have long been considered absent in battle reports, memoirs and artistic representations of the battlefield experience from before the rise of romanticism and nationalism in the 18th and 19th centuries. Moreover, it is assumed that the 18th century was the age of sentimentalisation that altered the representation of battlefield experiences. According to historian Yuval Harari, this change began in the late 18th century, when soldiers started to describe battlefield events as revelatory, unique experiences that transformed the self. In art and literature also, the focus is assumed to have switched from heroic facts to individual emotions; even heroes were human and their image had to reveal their inner experience of war. Newspapers would no longer restrict their war reports to military facts and figures but also published personal letters from the front.

This workshop seeks to problematise the idea that 16th- and 17th-century war experiences did not foster emotions or that the early accounts do not contain emotional elements. Instead of using the paradigms of ‘absence’ in the 16th and 17th century and ‘birth’ of emotions in the course of the 18th and 19th centuries, this workshop aims to explore battlefield emotions in the light of an on-going clash between emotional cultures or communities of soldiers and civilians and to recognise early battlefield emotions as such, even when they are no longer familiar to us. Honour, desire for glory, patriotism, love of knowledge, truth and order, are notions that are deeply emotional in nature and very important to the early modern soldier. In this workshop we plan to map and understand a broader spectrum of emotions that are related to the battlefield in the course of the 17th and 18th centuries and to find explanations for variations and changes in emotional culture. The battlefield thus serves as a case to enhance our theoretical and methodological approach of emotions in history.

For more information and registration, visit the workshop’s website.

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Battlefield Emotions 1500-1900 Interdisciplinary workshop

BATTLEFIELD EMOTIONS 1500-1900

Friday, 18 January 2013, Amsterdam (Vrije Universiteit)

Early modern authors of military memoirs rarely commented upon their emotional involvement with combat or suffering. Their reports are usually very factual and in many cases do not even mention their own experiences.  According to historians like Yuval Harari this changed from the late 18th century onwards, when soldiers started to describe their battlefield experiences as revelatory, unique experiences that change the self. In art and literature the focus similarly switched from heroic facts to individual emotions; even heroes had to be seen to be human, and reveal their inner experience of war.

The eighteenth-century culture of sensibility and the ‘humanization’ of the image of the common soldier in cultural and political discourse indeed had a major impact on the manner in which military matters were discussed in the public sphere. It created a new common language about the experience of combat and introduced intimate images of the battlefield, a process that may have bridged the gap between civic and military imaginings of combat. These images and stories enabled the public to imagine what an individual soldier experienced in military combat and what it was like to kill and suffer in the name of the nation. According to Mary A. Favret these images also created a certain distance towards war experiences, since the battlefield itself is removed from immediate perception, and only available to the public through media forms.

In the military sciences, too, there was an increasing awareness that common soldiers were not machines but feeling bodies with emotions. From the eighteenth century onwards, it went hand in hand with ‘modernization’ of the military, the introduction of military service and with the rise of military education. While military theorists propagated a rationalisation of military organisation, they also became aware of the importance of morale and motivation for the individual soldier, irrespective of their rank. Empathy and enthusiasm were important notions in military theory of the eighteenth and nineteenth centuries, which placed the emotions of the armed individual, rather than his commanders’ sublime reason, at the centre of war strategy.

But when and where can this growing interest for emotions first be observed? And how can we explain this? Should we explain the absence of individual emotions in early modern memoires, poems and theatre texts about combat, with reference to concepts of the self and the body, to religious beliefs or to the conventions of genre? Are these emotions the creation of rising states and nationalism? Should we look for explanations in medical sciences, in the organization of the military, in military theory and strategy or rather in developments in the arts themselves? This interdisciplinary workshop will not only study the emotions associated with combat experience as expressed in all possible media and social spheres, and chart the changes that can be observed over time. It will also try to shed light on  the social and cultural developments that brought these changes about.

Battlefield Emotions 1500-1900 is organized by: Amsterdam Centre for Cross-Disciplinary Emotion and Sensory Studies (ACCESS), Group for Early Modern Studies Ghent University (GEMS), History Department Leiden University.
Coordination: Erika Kuijpers (Leiden University) and Cornelis van der Haven (Ghent University)