Call for Papers: Song Studies

The Amsterdam Centre for Cross-Disciplinary Emotion and Sensory Studies and THALIA, research group on the Interplay of Theatre, Literature & Media in Performance, present:

SONG STUDIES 2020

EXPLORING INTERDISCIPLINARY APPROACHES TO SONGS AND PRACTICES OF SINGING (1200-TODAY)

Ghent University, 1-3 July 2020

Keynote speaker: Monique Scheer (Tübingen University)

Call for papers

The singing voice is a medium of expression that is found in all times and cultures. People have always been singing, not only to perform entertainingly, but also to express emotions or to embody identities. This has for example made collective singing (and listening) practices a primary way for people to articulate and embody the identities that are fundamental to the existence of social groups. The bodily and sensory experience of moving and sounding together in synchrony, enables individuals to experience feelings of togetherness with others.

Song is the versatile medium facilitating such processes. Songs can evoke and channel emotions, employing them for specific (or less specific) means. As a multimodal genre, song enables not only the articulation and embodiment of ideas; as an inherently oral and intangible medium, songs can move through space and time, transgressing any material form. Therefore, songs have proven an ideal tool for the distribution of news, contentious ideas, or mobilising messages.

This conference aims to bring together researchers from various disciplines investigating song (for example musicology, literary studies, history, sociology, performance studies, cognition studies, anthropology, etc.). The focus will be on the definition of possible approaches to the study of this medium (both in its material and performed existence), its performances (in any form) and reception (in any context). Research examples may cover songs written and sung in any culture and language, and any (historical) period. Common ground will be found through concepts, approaches and methodologies, encouraging an interdisciplinary and transhistorical dialogue, breaking ground for a new research field: song studies.

Possible research areas and questions to be explored are:
– how to study the multimodality of the genre, acknowledging both textual and musical characteristics, and its performative nature;
– the sensory/bodily and emotional/affective experience of listening and singing;
– cognitive and/or affective processes of singing (and collective singing practices);
– how to study the performative aspects of songs in historical contexts;
– the ‘power’/agency of song;
– the role of song and singing in social processes and historical developments; etc.

We invite proposals for 20-minute individual papers (max. 300 words) or alternative formats (pre-submission inquiry is encouraged). As the aim of this conference is to facilitate dialogue, there will be ample time for discussion and exchange. Please send your proposal, including your name, academic affiliation and a short biographical note, no later than 20 December 2019 to renee.vulto@ugent.be.

For more information, visit: https://www.songstudies.ugent.be/

Before the Aftermath: Emotion, Affect and Time

CLUE + & the The Amsterdam Centre for Cross-Disciplinary Emotion and Sensory Studies (Access)

invite you to a festive book launch and mini-colloquium:

Before the Aftermath:
Emotion, Affect and Time

Tuesday 23 October 2018, 16.00–17.00, drinks afterwards

VU University, Kerkzaal

Frans Willem Korsten and Jan Frans van Dijkhuizen (University of Leiden) will present their recent monographs A Dutch Republican Baroque: Theatricality, Dramatization, Moment and Event (Amsterdam University Press, 2017) and A Literary History of Reconciliation: Power, Remorse and the Limits of Forgiveness (Bloomsbury, 2018).

In their presentations, van Dijkhuizen and Korsten will focus on the relations between emotion, affect and time – crucial concepts in current debates in emotion history on which they will offer complementary perspectives.

Korsten’s book argues that the seventeenth-century Dutch Republic was fascinated by the idea that the existing world emerged from a moment at which for a split second, two or more possible realities are equally real – the course of history as yet undetermined  – and after which only a singular one is actualized. Korsten examines this fascination by drawing on a distinction between emotion and affect.

Van Dijkhuizen’s book examines literary representations of interpersonal reconciliation from the early modern era to the present era. It shows how literary writers imagine reconciliation as forever deferred, while presenting feelings of remorse over wrongdoing as never-ending. In the aftermath of grievous wrongdoing – with history having run its course – reconciliation seems to remain beyond reach.

The festive event will be illuminated by a “remorse/reconciliation poetry reading” & by a mini scent event.

Lecture and Workshop Michael Schoenfeld

The Leiden University Centre for the Arts in Society (Lucas)

presents a guest lecture by

Michael Schoenfeldt

John Knott Professor of English, University of Michigan

on

Lessons from the Body:

Disability, Deformity, and Disease in Shakespeare

Wednesday 6 April, 16.15, Vossius Room, Leiden University Library

All welcome!

lear

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Conference on Compassion in Early Modern Culture

Poster Compassion Conference smallOn 18 and 19 September 2015, ACCESS and the Department of Language, Literature and Communication of the Faculty of Humanities at VU University are organising an international conference on Compassion in Early Modern Culture.

Keynote speakers are Katherine Ibbett (University College London), Jan Frans van Dijkhuizen (Leiden University) and Bruce R. Smith (University of Southern California). In the parallel sessions, international researchers will present their research on early modern compassion.

ACCESS members are most welcome to attend (parts of) this conference. For more information, the programme, and (free) registration, see the conference website.