The Secular Sacred: Emotions of Belonging and the Perils of Nation and Religion in Western Europe

International Symposium
The Secular Sacred: Emotions of Belonging and the Perils of Nation and Religion in Western Europe
Date: 10 and 11 November 2016
Venue: The Waalse Kerk, Amsterdam

The past decades have witnessed a spectacular rise of both nationalist and religious sentiments across Europe. Indeed, feelings of home, emotional appeals to community and even the ‘people’ (Volk) are entwined with and fueled by the increasing presence of religion in European public spheres, long considered to have been thoroughly secularized. New nationalists and increasingly the continent’s political and cultural elites frame the presence of religion as a threat to the ‘secular’ character of the nation. At the same time, religious ‘roots’, including what is now indicated as ‘Judeo-Christian’ roots, are mobilized as cultural identities. The nation’s secularism has turned sacred, as it were. In this volatile context, both ‘religion’ and ‘secularism’ have become emotionally charged.

The symposium brings together scholars working on issues of nationalism and religion to develop a postsecular approach investigating in tandem the continued and changing presences of religion and nationalism in Europe.

The categories of religion and secularism are categories of practice. They are not fixed, but constantly changing in often highly contested political and social arena’s. Indeed, both categories are frequently mobilized in political projects. For instance, over the past decades nationalists in the Netherlands have framed groups of Dutch citizens with a migrant background (the so-called allochtones) as ‘religious’ and hence ‘backward’, pitting them against a ‘secularized’ and ‘progressive’ but also ‘Judeo-Christian’ Dutch majority. At the same time, forms of religion – Christian, Islamic, and other forms – have continued to gain ground while becoming entangled with identity politics. Not seeking to define the secular or the religious, the symposium will focus on the boundary work through which both categories are being defined, contested, and re-made in social and political practice.

These shifting qualities of secularism and religion call for a praxeological approach, paying particular attention to the involvement of the body, the emotions and the senses or, more specifically, to ‘embodied practices’, ‘sensational forms’ and sense perception (aisthesis). Such an approach sheds light not only on how the nation and the sacred are mediated, but also on how they deeply take root in people, becoming all the more persuasive. At the same time, taking the established notions of habitus or bodily memory as a point of departure may provide us with a more detailed understanding of how practices may both reproduce and (temporarily) subvert the structures of power. How do such insights help us to understand the complexities involved in how a nation’s or a religion’s imaginaries resonate and may reinforce each other?

Invited speakers are: Jan-Willem Duyvendak, Irene Götz (Munich), Deborah Kapchan (New York), Birgit Meyer, Alex van Stipriaan and Jojada Verrips. Speakers from the Meertens Institute include Markus Balkenhol, Sophie Elpers, Ernst van den Hemel, Peter-Jan Margry, Herman Roodenburg, and Irene Stengs.

Please register by email to Irene Stengs (irene.stengs@meertens.knaw.nl ). Details of the symposium’s program will be announced shortly at on the Meertens Institute website.

 

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TED talk Caro Verbeek: Inhaling history and smelling the future

ACCESS board member Caro Verbeek gave a TED talk on ‘Inhaling history and smelling the future’ at TEDx Groningen. YouTube cannot do justice to the synaesthetic experience of Caro’s presentation, but the video is certainly worth watching!

Verbeek stresses that due to the increase of social and digital media, there is more need than ever to pay attention to direct and intimate – non transferable – qualities of smell. According to Verbeek it is time to take your nose out of your books, and start inhaling the environment as a meaningful source of information and inspiration.

 

Caro Verbeek is an art and smell historian, curator and author with a focus on modern, olfactory and tactile art. She is currently a PhD candidate at VU University with the project ‘In Search of Scents Lost – Reconstructing the Aromatic Heritage of the Avant-garde’. She teaches the course ‘The Other Senses’ at the Royal Academy of Arts (The Hague) and moderates the monthly ‘Odorama’-platorm at Mediamatic Amsterdam. She curated a show on olfactory art at Villa Rot (Germany) in 2015 and co-curated the Museumnight ‘Ruiken in het Rijks’ (Smelling at the Rijksmuseum) in 2012. She regularly does olfactory interventions at museums and universities worldwide. http://www.caroverbeek.nl

http://tedxgroningen.com/caro-verbeek/

Odorama 6: Smell-blind – the Anosmia edition

Mediamatic, Amsterdam
7th of  april, bites and drinks 18:00, talks 20:00 – 22:00
with Kirsten Jaarsma, Dorien Scheltens and Sanne Boesveldt

Whether derived from nature, or chemically constructed, odourant molecules have the ability to profoundly effect our behaviour, emotions and associations. At Odorama we’ll actively engage with our senses and explore everything that reaches and effects the nose. What happens if you completely lose your sense of smell and become smell-blind? At this edition of Odorama we will discuss the inability to smell.

For more information and tickets: http://www.mediamatic.net/413977/en/smell-blind-anosmia

Anosmia - Imagine being unable to smell the fresh spring flowers. Image from Mediametic.net.

Anosmia –
Imagine being unable to smell the fresh spring flowers.
Image from Mediametic.net.

ACCESS Seminar on cultural specificity of embodied emotions and smell

The Amsterdam Centre for Cross-Disciplinary Emotion and Sensory Studies (ACCESS) organizes a seminar on the:

Cultural specificity of embodied emotions and smell

In this seminar Zhen Pan and Caro Verbeek address the question of the human universality and historical specificity of emotional expression and the experience of smell. Please be welcome to hear, see and inhale!

De reuk, Cornelis Dusart, 1670 – 1704, engraving, Rijksmuseum Amsterdam

De reuk, Cornelis Dusart, 1670 – 1704, engraving, Rijksmuseum Amsterdam

Place:                Meertens Instituut: Joan Muyskenweg 25, Amsterdam

Date:                 Tuesday 22 March 2016

Time:                15.00-17.00

Register:           Please register using the form below this announcement.

Entrance:          Free

Info:                 erika.kuijpers@vu.nl

Program:

Continue reading →

The Deepest Sense

Rembrandt_Harmensz__van_Rijn_-_Het_Joodse_bruidje

On Tactility in the Arts and Sciences from the Early Modern Period to the Present Day. Organized by ACCESS, Meertens Instituut, Huizinga Instituut and Rijksmuseum, June 26th and 27th 2014.

This conference focuses on the experience of art beyond the visual; artists and scientists will make us understand and experience art and history through the sense of touch by embodied imagination and sometimes even by the actual act of touching a replica.

In spite of its important role in daily life, the sense of touch has been neglected in academic debate as it was considered a crude and uncivilized mode of perception. The two-day symposium The Deepest Sense draws attention to our most primary, sensual and thought-provoking sense in relation to history of art, culture and science.

In institutions such as museums, sight seems to be the only way to relate to (often) motionless objects. Yet it is the embodied imagination evoked by sight that makes us feel, caress or suffer and that makes history and its main characters come alive. For centuries, but in particular during the avant-garde, artists intentionally created tactile works of art, in order to experience them in a direct and intimate way.

Internationally acclaimed scientists from the realm of anthropology, psychology, cultural and art history will approach the subject from different angles. Artistic performances and tactile experiments will make the visitor become more aware of their own deepest sense: touch.

Keynote speakers: Constance Classen, David Howes, Garmt Dijksterhuis and Monika Wagner.

Practical information

  • Location day 1: Auditorium Rijksmuseum; Location day 2: Oudemanhuispoort
  • Language of communication: English
  • Registration is mandatory

Conference Program

Preliminary program
Biographies speakers

Registration

Click here to register

Registration fees:

  • € 20
  • Students: € 15

Lunch not included on day 1. Entrance to the museum not included.

Contact information

herman.roodenburg@meertens.knaw.nl

New Dutch emotion research

mona lisa analyzedPeter Lewinski, Marieke Fransen and Ed Tan recently made the headlines with the results of their research into automated facial coding of emotions. ACCESS asked Peter Lewinski to tell us more about his project and he kindly sent us this description of the research.

We welcome news about Dutch emotion research on our website – please contact k[dot]steenbergh[at]vu[dot]nl if you would like to share your project with our community.

MEASURING EMOTIONAL ATTITUDES WITH AUTOMATED FACIAL CODING

Nonverbal communication of emotions

Suppose you want to sell your home-made jewelry at the King’s day in Amsterdam. How can you tell in advance whether people like your necklaces and ear rings? Since the earliest scientific inquiries into preferences the only available method has been to ask people how they feel about them. However psychologists found out that when you are asked about your opinion you tend to become self-aware and start to provide socially desirable answers. In other words self-reports emanate from Daniel Kahneman’s –System 2 and this is as slow and logical as it is conscious System. Questionnaires and interviews capture creations and interpretations led by self and social reflective human judgment. The contents of the fast, emotional and subconscious System 1 have long remained elusive. Even if messages delivered by System 1 are ubiquitous in people’s everyday non-verbal behavior, such as gestures, postures, facial expressions and tone of voice. Decoding the messages has been hampered or even forbidden by the subjective and laborious nature of analyses. In the past decade information technology and artificial intelligence have come to the rescue of the direct measurement of emotions. Hopes are high that we can leave considerable work load required for codification of nonverbal behavior to the computer and so steer away from our own interpretation biases. The research community working on the deciphering of facial movements believes that facial expressions convey interculturally shared core affect signatures. They do not need cross-cultural translation as System 2 responses – notably verbal ones – do. Therefore, in our study, recently published in Journal of Neuroscience, Psychology, and Economics, we investigated the predictive value of facial expressions of emotions in response to amusing – i.e. simply funny – video stimuli. Continue reading →